Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,  Related Paintings of POTTER, Paulus :. | A Landscape with Cows,sheep and horses by a Barn | Resting Herd a | Hirtenjunge und Hirtenmadchen | Landscape with Shepherdess Shepherd Playing Flute (detail) ad | A Farm |
Related Artists:
MEYTENS, Martin van
Dutch painter (b. 1695, Stockholm, d. 1770, Vienna). was a Swedish-Austrian painter who has painted people of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francois III and his family, and many other royal paintings. His painting style has inspired many other painters to paint in a similar format. Martin van Meytens was born on June 16, 1695 and was later baptised in Stockholm, Sweden. He studied other great painter's works and in 1717 he had a great success in painting enamel paintings and miniatures, but later went on to greater task. In 1723 he began to paint large portraits of royal courts
Henry Singleton
British Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.
Robert Alexander Hillingford
(1825-1904) was an English painter. He specialized in historical pictures, often battle scenes. Contents He was born in London on January 28, 1828, and studied in Desseldorf in 1841 for five years and before traveling to Munich, Rome, Florence and Naples, where he married and worked for several years, producing paintings of Italian life. One painting from this period entitled The Last Evening of the Carnival was exhibited at St. Petersburg in 1859. He returned to London in 1864, and first exhibited at the Royal Academy in 1866; it was at this time that he began to work on historical subjects, especially of the Napoleonic Wars. He was a regular exhibitor at the Royal Academy, British Institution and at other galleries. While he was attracted to costume pieces such as An incident in the early life of Louis XIV and During the wanderings of Charles Edward Stuart', he also included some contemporary military scenes including his 1901 RA painting South Africa, 1901 - The Dawn of Peace. Wellington at Waterloo Lord Hill invites the last remnants of the French Imperial Guard to surrenderThe original paintings often come up at auction, and, with a large amount of the collection dispersed in 1998, the original paintings are widely scattered.